HARRIS Surname Meaning and Origin

HARRIS Surname Meaning and Origin Harris is generally considered to mean son of Harry. The given name Harry is a derivation of Henry, meaning home-ruler. Like many patronymic surnames, the surnames HARRIS and HARRISON are often found used interchangeably in early records - sometimes with the same family. Harris is the 24th most popular surname in the United States according to the 2000 census and the 22nd most common surname in England. Surname Origin: English, WelshAlternate Surname Spellings: HARRISON, HARIS, HARRIES, HARRISS, HARRYS, HARYS, HERRICE, HERRIES Fun Facts The popular Harris Tweed cloth takes its name from the Isle of Harris in Scotland. The cloth was originally handwoven by islanders on the Isles of Harris, Lewis, Uist and Barra in the Outer Hebrides of Scotland, using local wool. Famous People with the Surname HARRIS Arthur Harris - Marshal Arthur Bomber Harris, Commander in Chief of the Royal Air Force Bomber Command during World War IIFranco Harris - NFL running back, Pittsburgh Steelers. Best known for his immaculate reception during a 1972 AFC divisional playoff gameBernard Harris - 1st African-American to walk in spaceJillian Harris - star of the reality TV show The Bachelorette, 5th seasonNeil Patrick Harris - American actorMary Harris - early 1900s labor organizer; best known as Mother Jones Genealogy Resources for the Surname HARRIS Harris Y-DNA Project: If you are a male and have the Harris (or a variant spelling of the) surname, then this Y-DNA project invites you to join to help establish as many Harri lines as possible.HARRIS/HARRIES/HERRIES/HARRISS Genealogy: Genealogist Glenn Gohr has compiled a nice collection of information and genealogy on Thomas Harris (c. 1586 of England and Virginia, as well as general information about the Harris surname.Harris Family Genealogy Forum: Search this popular genealogy forum for the Harris surname to find others who might be researching your ancestors, or post your own Harris query. There is also a separate forum for the HARRISON surname.FamilySearch - HARRIS Genealogy: Find records, queries, and lineage-linked family trees posted for the Harris surname and its variations.HARRIS Surname Family Mailing Lists: RootsWeb hosts several free mailing lists for researchers of the Harris surname.Cousin Connect - HARRIS Genealogy Queries: Read or post genealogy queries for the su rname Harris, and sign up for free notification when new Harris queries are added. DistantCousin.com - HARRIS Genealogy Family History: Free databases and genealogy links for the last name Harris. Cant find your last name listed? Suggest a surname to be added to the Glossary of Surname Meanings Origins. Sources: Cottle, Basil. Penguin Dictionary of Surnames. Baltimore, MD: Penguin Books, 1967.Menk, Lars. A Dictionary of German Jewish Surnames. Avotaynu, 2005.Beider, Alexander. A Dictionary of Jewish Surnames from Galicia. Avotaynu, 2004.Hanks, Patrick, and Flavia Hodges. A Dictionary of Surnames. Oxford University Press, 1989.Hanks, Patrick. Dictionary of American Family Names. Oxford University Press, 2003.Smith, Elsdon C. American Surnames. Genealogical Publishing Company, 1997.

Hard Determinism

Hard Determinism Hard determinism is a philosophical position that consists of two main claims: Determinism is true.Free will is an illusion. The distinction between â€Å"hard determinism† and â€Å"soft determinism† was first made by the American philosopher William James (1842-1910). Both positions insist on the truth of determinism: that is, they both assert that every event, including every human action, is the necessary result of prior causes operating according to the laws of nature. But whereas soft determinists claim that this is compatible with our having free will, hard determinists deny this. While soft determinism is a form of compatibilism, hard determinism is a form of incompatibilism. Arguments for hard determinism Why would anyone want to deny that human beings have free will? The main argument is simple. Ever since the scientific revolution, led by the discoveries of people like Copernicus, Galileo, Kepler, and Newton, science has largely presupposed that we live in a deterministic universe. The principle of sufficient reason asserts that every event has a complete explanation. We may not know what that explanation is, but we assume that everything that happens can be explained. Moreover, the explanation will consist of identifying the relevant causes and laws of nature that brought about the event in question. To say that every event is determined by prior causes and the operation of laws of nature means that it was bound to happen, given those prior conditions. If we could rewind the universe to a few seconds before the event and play the sequence through again, we’d get the same result. Lightning would strike in exactly the same spot; the car would break down at exactly the same time; the goalkeeper would save the penalty in exactly the same way; you would choose exactly the same item from the restaurant’s menu. The course of events is predetermined and therefore, at least in principle, predictable. One of the best-known statements of this doctrine was given by the French scientist Pierre-Simon Laplace (11749-1827).   He wrote: We may regard the present state of the universe as the effect of its past and the cause of its future. An intellect which at a certain moment would know all forces that set nature in motion, and all positions of all items of which nature is composed, if this intellect were also vast enough to submit these data to analysis, it would embrace in a single formula the movements of the greatest bodies of the universe and those of the tiniest atom; for such an intellect nothing would be uncertain and the future just like the past would be present before its eyes. Science cannot really prove that determinism is true. After all, we often do encounter events for which we don’t have an explanation. But when this happens, we don’t assume that we are witnessing an uncaused event; rather, we just assume that we haven’t discovered the cause yet. But the remarkable success of science, and especially its predictive power, is a powerful reason for supposing that determinism is true. For with one notable exception–quantum mechanics (about which see below) the history of modern science has been a history of the success of deterministic thinking as we have succeeded in making increasingly accurate predictions about everything, from what we see in the sky to how our bodies react to particular chemical substances. Hard determinists look at this record of successful prediction and conclude that the assumption it rests on–every event is causally determined–is well-established and allows for no exceptions. That means that human decisions and actions are as predetermined as any other event. So the common belief that we enjoy a special sort of autonomy, or self-determination, because we can exercise a mysterious power we call â€Å"free will,† is an illusion. An understandable illusion, perhaps, since it makes us feel that we are importantly different from the rest of nature; but an illusion all the same. What about quantum mechanics? Determinism as an all-encompassing view of things received a severe blow in the 1920s with the development of quantum mechanics, a branch of physics dealing with the behavior of subatomic particles. According to the widely accepted model proposed by Werner Heisenberg and Niels Bohr, the subatomic world contains some indeterminacy.   For instance, sometimes an electron jumps from one orbit around its atom’s nucleus to another orbit, and this is understood to be an event without a cause.   Similarly, atoms will sometimes emit radioactive particles, but this, too, is viewed as an event without a cause. Consequently, such events cannot be predicted. We can say that there is, say, a 90% probability that something will happen, meaning that nine times out of ten, a specific set of conditions will produce that happening. But the reason we can’t be more precise is not because we are lacking a relevant piece of information; it is just that a degree of indeterminacy is built i nto nature. The discovery of quantum indeterminacy was one of the most surprising discoveries in the history of science, and it has never been universally accepted.   Einstein, for one, could not countenance it, and still today there are physicists who believe that the indeterminacy is only apparent, that eventually a new model will be developed which reinstates a thoroughly deterministic point of view.   At present, though, quantum indeterminacy is generally accepted for much the same sort of reason that determinism is accepted outside quantum mechanics: the science that presupposes it is phenomenally successful. Quantum mechanics may have dented the prestige of determinism as a universal doctrine, but that doesn’t mean it has salvaged the idea of free will. There are still plenty of hard determinists around. This is because when it comes to macro objects like human beings and human brains, and with macro events such as human actions, the effects of quantum indeterminacy is thought to be negligible to non-existent. All that is needed to rule out free will in this realm   is what is sometimes called â€Å"near determinism.† This is what it sounds like–the view that determinism holds throughout most of nature.   Yes, there may be some subatomic indeterminacy. But what is merely probabilistic at the subatomic level still translates into deterministic necessity when we are talking about the behavior of larger objects. What about the feeling that we have free will? For most people, the strongest objection to hard determinism has always been the fact that when we choose to act in a certain way, it feels as if our choice is free: that is, it feels as if we are in control and exercising a power of self-determination. This is true whether we are making life-altering choices such as deciding to get married, or trivial choices such as opting for apple pie rather than cheesecake. How strong is this objection?   It is certainly convincing to many people. Samuel Johnson probably spoke for many when he said, â€Å"We know our will is free, and there’s an end to it!†Ã‚   But the history of philosophy and science contains many examples of claims that seem obviously true to common sense but turn out to be false. After all, it feels as if the earth is still while the sun moves around it; it seems as if material objects are dense and solid when in fact they consist mainly of empty space. So the appeal to subjective impressions, to how things feel is problematic. On the other hand, one could argue that the case of free will is different from these other examples of common sense being wrong. We can accommodate the scientific truth about the solar system or the nature of material objects fairly easily. But it’s hard to imagine living a normal life without believing that you are responsible for your actions. The idea that we are responsible for what we do underlies our willingness to praise and blame, reward and punish, take pride in what we do or feel remorse. Our whole moral belief system and our legal system seem to rest on this idea of individual responsibility. This points to a further problem with hard determinism. If every event is causally determined by forces beyond our control, then this must include the event of the determinist concluding that determinism is true. But this admission seems to undermine the whole idea of arriving at our beliefs through a process of rational reflection. It also seems to render pointless the whole business of debating issues like free will and determinism, since it is already predetermined who will hold what view. Someone making this objection doesn’t have to deny that all our thought processes have correlated physical processes going on in the brain. But there is still something odd about treating one’s beliefs as the necessary effect of these brain processes rather than as the result of reflection. On these grounds, some critics view hard determinism as self-refuting. Related links Soft determinism Indeterminism and free will Fatalism

Research Methods - Public Health Essay Example | Topics and Well Written Essays - 2250 words

Research Methods - Public Health - Essay Example Ohio is one of those places where we can find health disparities at a significant level. Studies indicate that the Appalachian adults in Ohio are more exposed to health disparity issues than their peers in other regions. Health disparities related to the environmental exposure pose a double injustice in terms of unequal exposure and unequal access to adequate health care. Health disparities, in general, mean that the burden of disease or environments that cause disease are mostly felt or experienced by some and not all populations. In the United States (US), health disparities are attributed to several factors including: lack of access to healthcare, socioeconomic status or educational background (Moeller, 2005). We look at health disparities from the angle of environmental health. Effects of health disparities are dismal because they include limited or no health insurance at all, which, in turn, prevents them from having access to adequate healthcare and related resources. This is a significant public health challenge which needs to be addressed by effective interventions. This  Abbreviated Quantitative Research Plan (AQRP) is aimed and directed at policy makers at local and federal levels; with the aim of addressing health issues related to industrial manufacturing sites located in residential areas. The plan is also directed towards health services, federal and local public health agencies, companies with polluting businesses and other interested stakeholders. The plan explores the study’s purposes, design, methodology and other aspects of a credible research (Creswell, 2006). According to Moeller (2005), The Pollution Prevention Act of 1990, â€Å"was made into national policy to assure that pollution is prevented or reduced at its source, recycled or treated in an environmentally safe manner, and disposed of or released into the environment only as a last resort† (p.362). Evidence of improvements on human health, especially to

Gran Torino Movie Review Example | Topics and Well Written Essays - 750 words - 2

Gran Torino - Movie Review Example The beginning of the movie shows Walt Kowalski as a loner, whose wife has recently died leaving him alone in a neighborhood which is gradually being filled heterogeneous working-class ethnic minorities. In such a scenario, the American flag hoisted in front of his house and his meticulous mowing of his lawn maintaining boundaries are suggestive of the strict boundaries Walt has in his mind. He is strictly American, who drinks Pabst Blue Ribbon beer, drives a vintage Gran Torino and hates Land Cruiser and Hmong people. He refers to his Hmong neighbors as, "swamp rats" and "barbarians". He even doesnt mind closing the door on Thaos face when the later turns up at his door asking for jumper cables. However, his endeavor to save his lawn one night accidentally saves Thaos life and leads to a battery of interactions between the Lor family and himself. Initially reluctant to take the relationship with his neighbor any forward after that night, Walt throws away all the gifts and flowers that the Hmong neighbors leave at his doorstep as their mark of gratitude towards the man who saved their child. On one hand, this scene shows how the Hmong culture pays respect to a person who has helped them, on the other hand, it also shows how Walt is not ready to accept gratitude for a deed that he never actually intended to do. Walt only tried to keep people out of his lawn. However, he actually saves Sue from being harassed by three colored boys in a desolate area. It is Sue who introduces Walt to Hmong culture by enlightening him with the fact that, Hmong is a race of hill people. The party scene at Lors house actually shows Walts adaption to a new culture which till date he had no idea about. The audience along with Walt comes to know that Hmong think a persons soul resides on his head and should never be touched. They also consider it rude to make eye contact while talking and would most likely be found smiling while being

Importance of Composition courses for First Year Students Essay Example for Free

Importance of Composition courses for First Year Students Essay An important aspect of education is to enable students to read, write and think critically, so that they develop these vital skills. There is substantial debate over composition courses for first year students and the overall purpose of these courses. Proponents argue that these courses are essential to engage students in academic discussions and to facilitate the practice of close and critical reading among them (Lindemann, 1993). Lindemann (1993) asserts the importance of composition course stating that these courses enable students to â€Å"become aware of their own development as writers† so that they can learn to write effectively to benefit their careers and lives. Writing courses expose students to a variety of writings by different writers and this in turn helps students to choose the best writing styles so that they can use it in future. Through these courses, students are exposed to different writings and products which will provide meaningful examples concerning the writing process. It is also believed that first year students need substantial support and help from their peers and teachers since â€Å"learning to write is not an individual task† (Pinter, 1995). The development of â€Å"voice† is one of the important outcomes of writing course in the first year which occurs when teachers provide students with â€Å"diverse and plentiful writing exercises and experiences† to express themselves in the best possible manner in a â€Å"variety of settings†, academic as well as nonacademic (Pinter, 1995). Thus, writing courses are an essential aspect for the cognitive and overall academic development of students and provides them with the ability to express their thoughts feelings and emotions in meaningful ways through effective writing. contact dearbpk(at the rate)yahoo. co. in for feedback References Lindemann, Erika. (March 1993). Freshman Composition: No Place for Literature. College English 55. 3: 311-16. Pinter, Robbie Clifton (1995). First Year Writing Courses: Whats the Purpose?

digital divide :: essays research papers fc

In this new era of booming technology and endless possibilities of what cyber space brings to our fingertips, leads us to question whether it depresses our economic and social stature. Over half the United States is now enjoying the online capabilities , while millions of people all over the world join the online community every year. With many businesses and schools relying on the Internet, it is important as basic phone service. Cell phones, computers, and plasma televisions are all taking us forward. But is this not a wellness for our society?   Ã‚  Ã‚  Ã‚  Ã‚  First, we must look at the importance the Internet means for the industrializing and developing society. Technology is definitely a boost to an economy in any nation. In a society that lacks the skills of technological advances, might leap the country economically. With the Internet, nations who weren’t well educated or behind in knowledge will greatly improve with the added IT. Whether it is medical, political, or social countries will profit from the technology. The Internet Age is growing; I believe you will see more unity between nations.   Ã‚  Ã‚  Ã‚  Ã‚  In many ways we are tying to break the digital divide in our own nation. In February 2000, President Clinton proposed a new plan to help bridge the digital divide. Offering two billion dollar tax break to private companies, new teacher IT training programs, and Community Technology Centers in low-income neighborhoods . I believe the digital divide will fade over time. Technology will adapt to society not the other way around. The Internet is going the same route that telephones and television went. The Westernized cultures are breaking the digital divide every day. Nevertheless in countries not well educated the bridge will be harder to break driven issues such as poverty. Technology is propelling us into a new age of information.

Stockhausen’s Gesang der Junglinge

Stockhausen became increasingly fascinated during the late ’50s with the spatial projection of music in the performance space. It can be said that Stockhausen’s Gesang der Jà ¼nglinge marked the beginning of the end of classic musique concrete. For Kontakte in 1958, using four-track tape, he devised a clever way make the sound of his tape music spin around the audience at various speeds. He did this in the studio using a rotating platform with a loudspeaker mounted on top. He could manually rotate the speaker up to four times a second.Stockhausen also used a specialized tape recorder called the Springer. Originally developed to lengthen or shorten radio broadcasts, it used a rotating matrix of four to six playback heads that spun in the opposite direction as the tape transport. As the tape passed the rotating playback array, one of the playback heads was in contact with it at all times. The output was equal to the sum of the rotating heads.It was characteristic of him that he could not be satisfied with Boulez's and Berio's derivation of music from verbal sounds and structure: there must be some general principle, which a single work would be enough to demonstrate completely – some system which a work could bring into being. Such a system he found in the organization of degrees of comprehensibility, across a range from the plainness of speech to the total incomprehensibility of wordless music.This would require electronic means. He needed â€Å"to arrange everything separate into as smooth a continuum as possible, and then to extricate the diversities from this continuum and compose with them†, and he found the way to do that through attending, between 1954 and 1956, classes in phonetics and information theory given at Bonn University by Werner Meyer-Eppler. Since, as he there discovered, vowel sounds are distinguished, whoever is speaking, by characteristic formants (emphasized bands of frequencies), it seemed it ought to be possib le to create synthetic vowels out of electronic sounds, so that synthesized music could begin to function as language. Working from the other end, the whole repertory of tape transformations was available to alter spoken or sung material and so move it towards pure, meaningless sound.Around the time that Stockhausen was formulating these criteria for electronic music, the nature of his work began to change dramatically. After completing the two electronic Studien, he returned to instrumental writing for about a year, completing several atonal works for piano and woodwinds, as well as the ambitious orchestral work Gruppen.Gruppen, written for three complete orchestral groups, each with its own conductor, marked Stockhausen’s first major experiment with the spatial deployment of sound. He positioned the separate orchestras at three posts around the audience so that their sounds were physically segregated in the listening space. The groups called to each other with their instrum ents, echoed back and forth, sometimes played in unity, and sometimes took turns playing alone so as to move the sound around the audience.Gruppen and his other instrumental experiments of that time were Stockhausen’s bridge to his next electronic work. By the time he embarked on the creation of Gesang der Jà ¼nglinge (Song of the Youths, 1955-56), his views on the control of dynamic elements of electronic music had broadened considerably.In this creation the synthesized electronic sounds are composed according to principles analogous to those operating in vocal sounds, and the recorded voice, that of a boy treble, is carried into the electronic stream by studio alteration and editing: superimpositions creating virtual choruses, reverberations to suggest great distance, scramblings of words and parts of words, changes of speed and direction.Nothing on either side, therefore, is quite foreign to the other, and Stockhausen invites his audience to attend to degrees of comprehen sibility by using a text with which he could expect them (the work was intended for projection in Cologne Cathedral) to be familiar: the German translation of the prayer sung in the Apocrypha by three young Jews in Nebuchadnezzar's furnace (hence the title, Song of the Youths). Stockhausen's electronic composition Gesang der Jà ¼nglinge thus attempts to integrate its biblicalGerman text with all the other materials in the composition (Morgan 442). Even so, the choice of this particular prayer cannot have been uninfluenced by what Stockhausen could have envisioned would be the imagery of the piece, with the boy's singing surrounded by flames of electronic articulation.Gesang der Jà ¼nglinge is perhaps the most significant work of electronic music of the ‘50s because it broke from the aesthetic dogma that had preoccupied the heads of the Paris and Cologne studios. It was a work of artistic dà ©tente, a conscious break from the purely electronically generated music of WDR, in which Stockhausen dared to include acoustic sounds, as had composers of musique concrà ¨te in France.Yet the piece is entirely unlike anything that preceded it. Stockhausens' Gesang der Jà ¼nglinge draws on unorthodox audio materials (Bazzana 74).   Stockhausen’s objective was to fuse the sonic components of recorded passages of a youth choir with equivalent tones and timbres produced electronically. He wanted to bring these two different sources of sound together into a single, fluid musical element, interlaced and dissolved into one another rather than contrasted, as had been the tendency of most musique concrete.   Stockhausen created some stir with works of very new spirit and imaginative form (Collaer 395).Stockhausen practiced his newly formed principles of electronic music composition, setting forth a plan that required the modification of the â€Å"speed, length, loudness, softness, density and complexity, the width and narrowness of pitch intervals and differe ntiations of timbre† in an exact and precise manner. There was nothing accidental about this combination of voices and electronic sounds. At thirteen minutes and fourteen seconds, Gesang der Jà ¼nglinge was longer than any previous worked realized at the Cologne studio.It was a â€Å"composed† work, using a visual score showing the placement of sounds and their dynamic elements over the course of the work. The result was an astonishingly beautiful and haunting work of sweeping, moving tones and voices. The text, taken from the Book of Daniel, was sung by a boys’ choir as single syllables and whole words. The words were sometimes revealed as comprehensible sounds, and at other times merely as â€Å"pure sound values†. Gesang der Jà ¼nglinge deals with a much greater variety of sonic material than did the earlier studies (Morgan 466).Stockhausen’s assimilation of a boy’s singing voice into the work was the result of painstaking preparation on his part. He wanted the sung parts to closely match the electronically produced tones of the piece. His composition notes from the time explain how he made this happen: Fifty-two pieces of paper with graphically notated melodies which were sung by the boy, Josef Protschka, during the recording of the individual layers.Stockhausen also produced these melodies as sine tones on tape loops for the circa 3-hour recording sessions. The boy listened to these melodies over earphones and then tried to sing them. Stockhausen chose the best result from each series of attempts for the subsequent synchronization of the layers.Gesang der Jà ¼nglinge is historically important for several reasons. It represented the beginning of the end of the first period of tape composition, which had been sharply divided aesthetically between the Paris and Cologne schools of thought. The maturity of Stockhausen’s approach to composing the work, blending acoustic and electronic sounds as equivocal raw ma terials, signified a maturing of the medium.The work successfully cast off the cloak of novelty and audio experiments that had preoccupied so many tape compositions until that time. Stockhausen’s concept of â€Å"composing the sound†Ã¢â‚¬â€splitting it, making the changing parameters of sound part of the theme of the work—was first exercised in Gesang der Jà ¼nglinge. Rhythmic structures were only nominally present, no formal repetition of motifs existed in the work, and its theme was the continuous evolution of sound shapes and dynamics rather than a pattern of developing tones.Gesang der Jà ¼nglinge was composed on five tracks. During its performance, five loudspeakers were placed so that they surrounded the audience. The listener was in the eye of the sonic storm, with music emanating from every side, moving clockwise and counterclockwise, moving and not moving in space.Gesang der Jà ¼nglinge was originally prepared for five tape channels, later reduced t o four, and its ebullience is greatly enhanced by antiphonal effects. Stockhausen himself was to apply in many later works the discoveries he had made here in the treatment of language and of space, of which the latter was already claiming his attention in Gruppen for three orchestras. But perhaps the deepest lesson of Gesang der Jà ¼nglinge was that music of all kinds, whether naturally or electronically produced, is made of sounds rather than notes, and that the first task of the composer is to listen. â€Å"More than ever before†, Stockhausen wrote, â€Å"we have to listen, every day of our lives. We draw conclusions by making tests on ourselves. Whether they are valid for others only our music can show.† (Stockhausen 45-51).Stockhausen's Gesang der Jà ¼nglinge provided a major turning-point in the artistic development of the studio, for against all the teachings of the establishment the piece was structured around recordings of a boy's voice, treated and integrat ed with electronic sounds. In Stockhausen Gesang der Jà ¼nglinge electronic sounds take on a disturbing â€Å"otherness† when set in relief by the humanity of a boy's voice, racked at times out of intelligibility, but never out of recognition, by the dissection of its speech elements.Effects such as the distant murmur of multitudinous identical voices have a dramatic impact far more direct than Stockhausen's comments on the work would suggest; his concern is to incorporate vocal sounds as natural stages (complemented electronically) in the continuum that links tone to noise, vowel to consonant. His vivid imagination for broad effects is further revealed in the spatial direction and movement of the sound by distribution.Stockhausen was the most representative composers of a period which is still in its analytic phase (Collaer 48). Gesang der Jà ¼nglinge has subsequently become a crucial aspect of electronic composition and has helped to combat the faintly ridiculous sensatio n with which an audience concentrates on sounds emanating from a single â€Å"pseudo-instrument†. Stockhausen's fanatical devotion to this art is sustained by a vision of public music rooms (spherical ideally) giving continuous performances of spatial music. However reminiscent this may seem of some deplorable cinematic techniques, complex stereophony is an altogether natural development of machine music and may help it to achieve a persuasive idiom owing nothing to instrumental practice.Works CitedBazzana, Kevin. Glenn Gould: The Performer in the Work: A Study in Performance Practice. Oxford University Press, 1997.Collaer, Paul and Abeles, Sally. A History of Modern Music. World Publishing, 1961.Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York. Publication, 1991.Stockhausen â€Å"Actualia†, Die Reihe, 1 (1955, English edn. 1958), 45-51, (see also his ‘ Music and Speech ‘).

The Art of Ballet

The art of ballet started out as a fun dance for the wealthy and throughout history, has evolved into an elegant, world wide form of structured expression. From its beginnings in European cultures to its now widespread and diverse variations, ballet shows no signs of slowing down in popularity any time soon. Early ballet was influenced by the social dancing of its day, ballroom dancing. This art was born when the ancient Greek and Roman renaissance of the fifteenth and sixteenth centuries took place, reviving an interest in all things human and the arts.The word â€Å"ballet† derives from the Italian word â€Å"balla,† meaning dance. In the Italian city-states of the fifteenth century, many â€Å"balli† meaning â€Å"dances† were held. The ballis involved specific steps that our generation would classify as ballroom steps. Ballet got much recognition when Louis XIV ascended to the throne of France. He came from an arts school where he studied the arts of f encing, music, and dance. His passion for dance was very serious. So serious in fact, that he established the Academic Royale de Danse in 1661, employing 13 ballet instructors.Another well –known founder of ballet is Jean-Georgeos Noverre, also known as the â€Å"Shakespeare of Dance†. He argued for a new, more expressive form of ballet. He created ballet d’action, meaning ballet with out instruments. The Romantic Period played a very important role in the development of women in ballet. This period began in the early eighteen-hundreds. The milestones accomplished within this time period included large female background dancers to accompany the prima ballerina, the lightening of female costumes, and women dancing en pointe.Dancing en pointe, turn out, and the basic five ballet positions exemplify ballet, and are now standard for all ballerinas. The next step on the road to modern ballet is the formation of classical ballet. While the first production of the ball et known as La Sylphide took place in Paris and most famous ballerinas of the day were still coming from Italy, the second half of the nineteenth century saw the axis of the ballet world shift from Western Europe to Russia. However, a Frenchman was responsible for this shift.Marius Petita created five of ballet’s greatest classics in the late nineteenth century: Don Quixote, La Bayadere, The Sleeping Beauty, Swan Lake, and The Nutcracker, as well as restaging Giselle and La Coppelia. All of these classics share common similarities marking them as the trademarks of what is now regarded as the classical repertoire. They generally begin with group dances and evolved into complex stories between two or three main characters. The grand pas de deux, meaning big step for two, commonly begins with an adagio (slow, lyrical dance) between a male and a female dancer.The dance includes high extensions of the woman’s legs, multiple pirouettes, and big leaps forming a long straight line with the female’s legs in the air. Following the adagio is the allegro. This portion is merely a solo showcase of the male dancer’s ability and strength across the stage. An allegro for a ballerina features softer, yet intricate footwork and pirouettes. Finally, we have the coda, or finale, which reunites the dancers in an exuberant flourish. During that time period, three schools of classical ballet emerged.The French school is the oldest of the three. Known for its grace and elegance rather than its technical virtuosity, the French school was nevertheless held in high regard. The Italian school was known for its dexterity, difficulty of its steps, high leaps, and multiple turns. Lastly there was the Russian school. The Russian school was basically a hybrid of the prior schools. This school was held in high esteem due to its combination of serene elegance, breathtaking choreography, and the most complete and well-developed technique in all of ballet.The Russian b allet school slowly led the movement of ballet throughout the world and is responsible for how far ballet has grown. While Petipa’s traditional romantic style still held sway over Europe and Russia, Isadora Duncan, a freethinking American brought a completely new aesthetic to the stage. She believed in a more â€Å"anit-ballet† view of dance. She believed ballet was elitist and superficial. Duncan started a form of dance that was quite the opposite of what ballet was known for. This style of dance would be natural, free, and unbounded by rules.Duncan took her dancing on the road, touring through Europe and Russia alone, barefoot, and dressed in long tunics. The traditional aspect of her performance was the music she danced to, which was mostly Mendelssohn, Beethoven, and Chopin. She had many enemies, but with every enemy she gained, there were hundreds who thought her dramatic expression was lively and wquite enjoyable. Through the next few years, modern dancers began to fuse ballet with their own expressive movements. Also, ballet choreographers began incorporating modern techniques into their dances.As time moved forward, so did the swift evolution of ballet. Cultures took the basics and made it their own and by the late 1970’s , many classical ballet companies started incorporating modern steps into its repertoire and hiring modern choreographers to construct distinctive works on its own dancers. It is evident that as the world changes and its people continue to gain knowledge about their surroundings, the art of ballet will continue to spark interest and develop creativity in many people aspiring to gain the technique of the craft.

Silence The Court Is In Session Essays

Silence The Court Is In Session Essays Silence The Court Is In Session Essay Silence The Court Is In Session Essay such as the Inhabitant, which often intersperses poetic and prosaic forms. A drama thus is shaped not only by the thinking of the playwright, it also draws from the long history, social and cultural of the place t is located in. Let us then look quickly at some of the aspects of drama, both in the context of India and the world. As you are probably aware ours is an old civilization with a a rich and diverse tradition of 4 drama and spectacle and we have a fairly old tradition of ancient Sanskrit drama. Eventually Sanskrit drama was slowly replaced by drama in regional languages and when we move closer to recent drama in modern times, we find drama in regional languages being translated into English, which is one of the newest languages on the Indian subcontinent. Older History Of Drama Sanskrit drama which can be traced to the ancient vided times is first recorded in the form of exchanges between some of the gods who feature in the Received. These were succeeded by a large number Of Sanskrit dramatists such as Salinas, Banality, Shudders, Savages, to name a few. In Sanskrit drama, especially in the plays of Salinas, the male protagonists spoke in Sanskrit. Usually, the women and other minor characters spoke in pail, Prairie or pastrami. This was a very evolved and sophisticated form of dramaturgy and boasts of a manual for both playwrights and actors which details at great length every aspect concerned with the production and staging of a play. Exhaustive guidelines are provided in the Intrastate, a remarkable treatise on the art, craft, aesthetics and dynamics of play production. The primary aim of Sanskrit drama was to produce harmony and provide pleasure. So dramatists kept acts of violence and death away from the stage. Most plays subjected the central characters to great trial and suffering, at the end of which they emerged stronger and usually concluded on a happy note. The subject matter was borrowed from the older stories and youths and centered around important figures of royal birth, who in turn are often visited by the gods, demons and other semi-divine beings. Kielbasas well known play Abashing Smalltalk, is the story of the birth of one of Behaviorists kings Barbara. This is a story that traces the lineage of the Purr dynasty, while exploring the love of King Thousandths for the daughter of an Pappas who lived with her foster father Kanata, in a hermitage. The earliest version of this story fleshed out in the form of a play by Salinas can be found in the epic, the Inhabitant Do read, Abashing Smalltalk if you can. This will allow you to analyses more acutely the difference in the modern Indian play and its shift from the traditional Sanskrit play. Abashing Smalltalk is available in translation and provides an important link in the history of translation. This play was discovered by anthologists in the 18th century and translated into English, German and French and was viewed with great wonder in different parts of Europe. It was also translated into Indian languages. In fact, the earliest play written in Marathon for the stage was an adaptation of Abashing Smalltalk in 1880. You may be curious to know whether there were any other influences apart from the tradition of drama in Sanskrit that shaped contemporary Indian drama. The answer to this is in the affirmative. While Sanskrit classical drama did influence theatrical representation in different parts of India, there was also the incorporation of and emergence of very rich local traditions of cultural expression. These contributed their own flavor and color to the development of new traditions in regional drama. So while Sanskrit is the primary language from which most of our modern Indian languages evolved, nee must also recognize the impetus regional theatre received from alternate traditions in each region of India. Regional Influences When we look at theatre traditions in Bengal, Kraal, Tamil Nadia or Maharajahs, for instance, we observe the rich influx of local practice that exists in each Of these regions. The popular folk 5 tradition leading to the development of Marathon theatre was the Tamales. This was a form of theatre which came into existence in the early sixteenth century in Maharajahs. Tamales was a folk tradition of theatricals and love songs called Lavish popular among the common people especially those room the Goliath and maharaja communities. One of the significant facts to remember about the Tamales is that it adapted into its practice of song, dance and story, a host of narratives from the Sanskrit tradition, namely the pursuant, the dastards and the Krishna least. The Tamales could be performed any. Veer, in an open courtyard, in a large open stretch of land or even in front of a house. Thus, as you can see it was not constrained by the absence of a proper or regular stage. The Tamales was perhaps one of the earliest community cultural activities in which women danced and sang before an audience. The classical and folk traditions of theatre were then followed by what we could broadly term the modern period in Indian Theatre. In the instance of Maharajahs, we can see the eighteenth century as the period from which we can trace the beginnings of modern Marathon theatre. Modern Marathon theatre is indebted to the contributions of Vishnu Ads Behaves adaptations of older Sanskrit narratives like Sits Samovar, in Marathon. His contribution was to present the dialogues in the form of ordinary, everyday conversations. He also used innovations like changeable scenery which he borrowed from the Western stage. Another important personage associated with modern Marathon theatre was Anna Saves Karaoke. The foundation of commercial repertoires in Marathon theatre can be dated to the time of his founding of the Karaoke Natty Mandela in 1880. Modern Influences Meanwhile a lot of English theatre also traveled to India. The early twentieth century saw a lot of English plays being staged in different parts of India. Indian theatre in the twentieth century owes a great deal to ideas and influences from across the continent, from both Europe and America. Both in the First and the Second World, idealistic men and women struggled to put cross on paper their concerns about the rights and desires of a burgeoning population. The Twentieth Century is about the spread of notions of democracy all over the world and its implementation in political governments as well. With the exception of small pockets in the world, most countries moved in the direction of governments by the people, of the people and for the people. This did not of course mean that an equal or equitable world was immediately achieved. Yet, this was a major step in that direction and several playwrights the world over began to engage with the lives of the ordinary people. Most of the characters in Modern Drama are from a new class that grew to its optimum in the twentieth century, namely the middle class. In India we also struggled in the formative years of the twentieth century with colonialism, and our own struggles for independence from British Rule. Alongside, a strong sense of our identity as Indians we also tried to negotiate the difficulties imposed by rigid caste structures and ossified gender roles and expectations. To add to this were long standing religious convictions that had again entrenched themselves in cultural practice. As a country whose people went out into the streets to fight for their right to freedom, citizenship, governance and independence, we also adopted several new ideas. Our constitution which we adopted in 1 950 speaks about these ideas and defines them as fundamental rights which accrue to every man and women, independent of his social class, and gender. We need now to see what our inspired playwrights made of these new ideas and influences. Visa Denatured: A Life You may not be aware that Denatured is one of the pioneering writers of plays for the proscenium theatre in India. Other prominent writers who wrote plays round this time are Garish Carnal and Moan Rakes. Denatured is also one of our prominent modern playwrights, reflecting and exploring the journeys of individuals through the Indian cultural milieu. As Urinated Bannered points out, he has been in the vanguard of not just Marathon but Indian theatre for the past forty years. Visa Denatured was born in Kohlrabi , Maharajahs in 1928 . He was from a Sarasota Brahmins family and his father worked as a clerk and also ran a publishing business. Kohlrabi in the 1 adds had its own Maharaja Shahs l. The world Denatured grew up in was in pre-independent India and as a young boy he was naturally attracted to the world of words and writing. He displayed a prolific interest in the same, writing his first play at the age of eleven. So he came of age in an India that was on the threshold of great changes. Denatured was witness to the fact that older feudal and traditional structures and familiar ways of life were being disrupted and changed by the new ideas of social ferment and political change in the air. Denatured was an impressionable young teenager when the Quit India Movement was in full force. Despite the reservations of his family, he joined the movement. Along with his interest in a world of ideas, Denatured was deeply absorbed in the everyday world around him. His first job was that of a journalist with a Marathon weekly that was published from Pun(then Pomona). He worked as a journalist for a great number of years, and eventually shifted to Iambi (then Bombay), as the Chief Sub-editor of a Marathon Daily Subsequently he worked as a freelance writer and he was a regular columnist for The Maharajahs Times. The year 1948 saw him as the editor of Navigate. Alongside regular journalistic activity, Denatured also found outlets to his creative writing through short stories. Discovering that his narratives contained a surfeit of dialogues, he experimented with writing one act plays. This lead eventually to his writing full fledged plays. He continued to live in Iambi for the rest Of his life. As you already know, Denatured began his career writing for newspapers. He had also written two plays, ?muchvary Kong Prep Karar (Who will Love us? ), and the Graduates (The Householder). His early attempts at playwriting did not receive much appreciation and he decided never to write again. Something like this happened to an aspiring playwright in the Nineteenth Century in England, Robert Browning. He moved from writing plays to writing poems, and popularized the dramatic monologue through his poetry. Denatured however continued writing plays in spite of the plays not being received favorably. In 1956 he wrote Chairman, which was to establish him as a significant playwright. This play also saw the arrival of Denatured, the playwright who was ready to explore unconventional themes and look closely at the many changes that were taking place in the society around him. Chairman startled the conservative audience of the times. It has a rather radical storyline; an married young woman decides to keep her unborn child while her rich father tries to buy her a husband in an attempt to save his social prestige. In Chairman Denatured plunges deep into the heart of middle class morality, challenging social codes and questioning taboos. This questioning remains of central importance in all of his plays. In a writing career spanning more than five decades, Denatured has written 30 full length plays and 23 one-act plays. Several of his plays have gone on to become classics of the Marathon theatre as well as modern Indian Theatre. His plays have been translated and performed in many Indian languages. Gresham Kowtow (Gresham the Constable) (1972), a musical combining Marathon 7 folk performance styles and contemporary theatrical techniques, is one of the longest-running plays in the world, with over six thousand performances in India and abroad, in the original and in translation. Denatured has a prolific output of writing to his credit and it is not possible to discuss each and every one of his plays keeping in mind the limitations of this study material. It would be a good idea for you to read some of Tendernesss plays in order to familiarize yourself with his writing. Shanty as you all know is a play in Three Acts. Like Chairman, the protagonist of this play deals with an unconventional woman. Her experience places her in a vulnerable position in a rigid society that runs on hidebound codes. The young woman and the choices she makes are seen as threatening the very edifice of the society she lives in. Her existence therefore becomes problematic and she is perforce silenced in the course of the play. World Of The Play Silence! The Court Is In Session is a play in three acts dealing with the lives of ordinary people in a small town. Coming from diverse backgrounds, around ten characters are engaged in a group activity. They are members of The Sonar Motif Tenement (Bombay) progressive Association (ESMTP). This is a socially committed group whose prime objective is to facilitate awareness around important issues affecting the community or the world. These are raised for discussion by the various members of the group who enact a court- room scenario. Denatured borrows from court proceedings in order to stage a mock-trial. For this particular evening, the group is meeting to perform a mock trial protesting against President Johnnys production of atomic weapons. The idea of a mock trial in order to engage the audience is a reliant strategy adopted by Denatured. In doing so, he borrows from an important institution made available for the resolution of civilian problems in the modern world, namely, the world of the law courts wherein the highest secular principles of the law are enshrined. The officials of the court are meant to uphold the rights of the individual and they legislate accordingly, keeping in view larger principles, duties and responsibilities. Courts and the justice they deliver are perforce meant to be free of prejudice and bias. We need to examine whether such objective evaluation and bias free justice is dad available in the course of the play. Denatured uses the possibilities of an open discussion forum which the court provides in order to introduce to us a motley group of characters who are thrown together and perforce create a small social community when they decide to stage a mock trial. Social work ostensibly is the glue that binds the different characters together. As you now know the play is divided into three Acts. Read each Act carefully? What do you think are the salient features of each of the three acts? Is there any distinct difference that you could notice between one act and the succeeding act? As you know all three acts take place in the same hall. In the first act, the play swings into action in an empty hall presumably used for a lot of public functions in the village such as speeches, receptions, weddings, womens afghans and magic shows. We are introduced to all the characters in the play in the first act itself as all the members of the ESMTP begin to assemble for rehearsals. 8 List Of Characters In Order Of Appearance: Aragua Samoan: Appears on the stage holding a green cloth parrot. Is a young man, who earns enough to keep body and soul together, in his own words. He lives With his brother and sister-in -law, is unmarried and dotes on his nephew. He is a mild-mannered and friendly young man. Runs chores for the group and is asked to act as the fourth witness. 2. Ella Banner: is a school teacher of eight years standing. She comes across as a vivacious and unconventional woman. She seems to have a mind of her own and is very forthright. She has a sense of fun. She is also able to laugh at the foibles and eccentricities of the various members in the group. 3. Saturate: Arrives on stage along with the rest of the characters. He is introduced as a lawyer in the stage directions. He comes in smoking a ebbed. 4. Servant: Possibly a porter hired from the station, he is one of the general factotum which arrives on stage. He carries two wooden enclosures, the dock and the witness box, puts these down on the left side of the wings, returns to face Pones, is paid money for his services and leaves the stage. 5. Ball Rocked: As a young boy he was given shelter by the Karakas, who fed, clothed and educated him while he ran errands and performed odd jobs for them. He accompanies them and takes orders from them. 6. Pones: Is introduced as the Science student. Ella Banner tells us that he as failed his intermediate examinations, these are examinations that would have allowed him to join the university. Pones smokes a pipe, has taken his inter exams for the second time and works as a clerk at the Central Telegraph office. 7. Mrs.. Shakier: Banner introduces her as The-hand-that-rocks -the-cradle. Yet, Mrs. Shakier, although she is given this epithet has no children of her own. Her role, it is suggested at the outset is one of providing nurture and secondary support as a housewife. The use of a married title Mrs.. And her husbands surname are the only way in which she is represented throughout he play. This perhaps is her only public identity. She is known as the wife of Mr.. Shakier. It is her husband who calls all the shots and is shown as very rude to her, putting her down and cutting her short on every occasion. The taking on Of a marriage usually involves a change Of the surname for a woman. The man retains his own name. This is accepted as conventional practice all over the world. There are feminists who have voiced their apprehensions about how this change of surname indicates the subservient status that a woman occupies in contrast to her husband, including a gradual erosion of female identity and selfless. Today a small percentage of women do use their own surnames. 8. Mr.. Shakier: The dominant spouse, he has indulged his wife by stopping on the way to the hall and buying her flowers to put in her hair. He is referred to as the chairman of the group by Banner and sees himself as a man of superior intelligence. He is shown to have 9 a great sense of self-importance and sees himself as undertaking any and every action only with Prime objectives in view. 9. Local Resident 10. Sarnia is an experimental theatre actor, shown as habituated to chewing pan As you will notice, there are minor characters and there are major characters even in a play like Shanty which does not have a conventional romantic storyline. For instance, in Abashing Smalltalk, the narrative begins with the king out on a hunt. In the process he strays into a hermitage and encounters with a beautiful young woman to whom he is attracted. Over Seven Acts, Salinas traces the moods Of love, longing, parting, separation, misunderstanding and eventual reunion over a period of a few years. In Shanty, the action of the play takes place over a single evening. There are young men and a young woman in this play. However the play is not an exploration of romantic love that blossoms into commitment and adult responsibility. We see instead a cross section of people from the middle-class who have assembled together for staging a mock-trial on issues that concern them. These different people may never have met each other were it not for the Sonar Motif Tenement. With the exception of the Karakas who are husband and wife and Ball Rocked, who has been raised by them, the rest of the characters connect with each other through dealings in a very public world. Each member of the group is different from the other in terms of age,

Write your way to clinical excellence, Cardiology News - Emphasis

Write your way to clinical excellence, Cardiology News Write your way to clinical excellence, Cardiology News We sometimes learn as much from our failures as from our successes often more so. But if we simply move on and never communicate these lessons, the value of these lessons will always be limited. This is why communicating is key to creating a culture of best practice that helps you to set benchmarks for your hospital. If were not to limit that communication to a very small audience (those we can talk to), then that means written communication. These days more than ever, any written communication has to compete with the literally millions of other messages that bombard us every day. Professional communications compete with an endless stream of news and advertising messages for mental bandwidth. So to get your particular message across, your reports or emails need to be concise and clearly show your ideas and recommendations. Your colleagues need to be able to see that you have a definitive viewpoint. And any documents you write for patients need to be easy to understand. Time spent on this area should bring benefits beyond the harnessing and transfer of knowledge. As with most clichs, theres more than a grain of truth in the mantra that you need to publish or perish. Perfecting your writing skills will make it easier to turn your hard-won knowledge into scientific papers for the literature, in turn helping to cement your reputation as a leader in your field, both nationally and internationally. Yet the irony is that despite its importance, most clinicians have never been taught professional writing skills. In fact, using basic essay and report writing skills developed through academic study is akin to using GCSE biology to investigate sudden cardiac death. Good writing takes practice. And even the best writers sometimes get bogged down in the finer details of their research and fail to deliver the main messages of their work. The secret is to have a checklist of writing tools to keep you on track. If you consistently apply these techniques, youll transform your writing and in turn your ability to influence your patients and peers. Report writing made simple Many people see report writing as a chore, and put it off until the last minute. Then, faced with a looming deadline, they cobble together something that doesnt differentiate the key points from other information. In doing so, theyll probably focus more on the writing process than on the readers needs. Doubtless you rarely if ever have the luxury of time to set aside for thinking and preparing. But just sitting away from your PC and planning what you want to include and in what order can pay dividends. Focus on your reader Its vital to ascertain your readers level of knowledge when writing about it. Ask yourself the following questions: What is the document about? Who will read it? How much do they already know about the subject? What do they absolutely need to know? How important is the subject to them? How interested are they in the subject? Map out your ideas Decide what you want to include before you begin writing. (Do not be tempted to use the writing process to clarify your thoughts.) For longer, more complex documents, it often helps to write your topic in the middle of the page and use a mind map as a tool for brainstorming your ideas. Then use a pen to group together the ideas that have things in common. Next decide what order to put your groups in, starting with the most important group first. Cross out anything that is irrelevant to your reader: never be tempted to include information simply because you have it. And earmark non-essential detail for appendices. Dont be tempted to shortcut this process by creating lists on your computer instead. Using a pen and paper can help to keep your mind fresh. It encourages the creative process, as it helps you to link ideas rather than thinking in a linear fashion. The messier you are now, the more ordered your thinking will be later. Clarify your main message Now that youve decided what your most important idea is, your next task is to explore this in more detail. Take another sheet of paper and write the headings: What?, Where?, When?, How?, Why?, and Who? Keep writing down the answers to these questions until you get to the heart of what youre really trying to say. Then, with this main message in mind, decide on a final order for the rest of your points. Following this process will help you avoid the temptation to cram every idea or piece of data into your report. Its more important to have a clearly defined point of view than to give the reader value for money with a jam-packed document. Craft a compelling summary An executive summary should highlight your recommendations right at the top, with your reasons second. For example, if your report concludes that a type A personality is a huge risk factor for a cardiac arrest, this information needs to come first. The interesting finding that single men visit their GP less than married men is probably best left for the main body of the report unless you decide to make this your angle. The choice is yours, because the secret to great report writing is to have a definitive point of view, no matter what it is. Dont forget that the world is suffering from information overload, and if your readers fully digested every document sent to them, theyd find little time to do anything else. Even if your writing is impeccable, it will still compete for your readers attention with a mountain of other documents, including emails, texts and even Twitter updates. Keep this in mind with every sentence you write. A new scientific style To truly develop your writing style you need to bid farewell to the rules of academic writing. In universities and other educational institutions, the more knowledge, information and argument you display, the better the work is received. Its also standard practice to write in the passive voice. And its common to reach a conclusion only after a long period of argument and analysis. But it is possible for your work to be scientifically sound and compelling. You can use short sentences and paragraphs and still present a rigorous clinical review. And you dont need to use jargon all the time, even if you are communicating to colleagues (but see below). Question your use of language and make conscious decisions about your writing. Quick style tips Apply the following tips to every document your write to make sure your work is clear, concise and compelling. Avoid the passive voice Use the active voice, where possible. So instead of: advances in atrial fibrillation ablation have been made, write we have made advances in atrial fibrillation ablation. Using the words we, you and us, can also help you to connect with your readers. Make sentences short and sweet Keep your readers attention by using an average of 15-20 words in each sentence. Prune your sentences by going through your document and cutting out meaningless phrases and non-essential information. Choose simpler words over more complicated alternatives. When writing for the public, for example, its much better to write the phrase giving up smoking than smoking cessation. Put only one idea in each sentence The following sentence contains two separate ideas: Even though cardiologists play an important role in influencing the lifestyle choices of their patients, some experts are concerned that they need more focus in this work. Far better to split it in two: Cardiologists play an important role in influencing the lifestyle choices of their patients. Yet some experts are concerned that they need more focus in this work. Practise splitting up your ideas in this way to make your writing easy to read (and write, incidentally). Jargon is not the bogeyman Its perfectly acceptable to use jargon if youre sure that your readers will understand it. Your fellow medical professionals will instantly know what the following sentence means. A review of the epidemiological literature has identified that psychosocial factors contribute to the onset of cardiac disease. But it would probably bemuse the typical layperson. If in doubt, underestimate your readers level of knowledge. Avoid management speak In some workplaces, people have found it almost impossible to speak without using terms such as going forward, utilise and pre-prepare. But while these words may get bandied about in board rooms, dont be tempted to use them in documents. Instead of going forward write in the future; opt for use instead of utilise and remember that theres no such thing as preparing before you prepare. Ask yourself if what youre writing really makes sense, and dont be afraid to cull words and sentences if it doesnt. Beware of abbreviations Abbreviations are a great shortcut when you and your reader speak a common language. But dont forget that there may be acronyms and abbreviations that people outside your profession just wouldnt know. Find your flow If you find it difficult to get started, try writing in short bursts. Start by writing for 30 minutes and keep increasing this time until youre comfortable writing for up to two hours. Keep referring to your plan, and just aim to write very specific sections of information. No matter how long or short your final document, even squeezing in a 15-minute session can help you make progress. Check your facts It can be such a relief to finish a document that you forget to proofread it. But making simple spelling mistakes, typos and other errors can seriously undermine the validity of your work. Proofread extra slowly by stopping a pencil at each word to check that its accurate. And ask a colleague to do the same. Its easier for a fresh pair of eyes to spot any mistakes. The art of article writing Magazine articles are a powerful vehicle for communicating your ideas and opinions. There are lots of industry titles that you could contribute to including Cardiology News. Once youve fully brainstormed and planned what you want to include (see the steps above in the report writing made simple section) there are three principles to follow. Create a snappy headline The headline is the most important part of your article. Its the first thing people see and will determine whether or not they want to read on. So choose a striking headline. Patients celebrate return to health with alcohol and cigarettes is better than Adverse lifestyle trends remain one year after cardiac arrest. The first headline is more interesting as it clearly presents the irony of choosing an unhealthy lifestyle when youre lucky to be alive. Find an angle Using the headline above, you could outline examples of patients whove reverted to their unhealthy ways and explain how, why and when they did this. Include facts and statistics to back up your findings. And make sure your article contains a definitive viewpoint. Bite the bullet As with report writing, you need to focus on making things simple for your reader. Include lots of bullet points and subheadings and use the important words that your readers will be looking for. Becoming a recognised industry expert Writing well-received articles and reports lays the ground work for being recognised as a leading medical expert. Even if youre happy doing your day job with as little fanfare as possible, its still worth communicating with the media. Your articles can encourage other clinicians to adopt your best practice. And they give you the opportunity to extend to circle of influence to the general consumers by using your writing as a health promotion tool. Start close to home by suggesting article ideas to medical magazines. The best articles to position yourself as an expert are ones where you give a new insight into existing issues. You could present a new take on the prevalence of heart disease or outline how a new piece of government legislation will affect clinicians working lives. Send a synopsis of the article to the magazine first. Write a snappy headline and standfirst (the two lines under the headline). Then write an attention grabbing opening paragraph and a few bullet points about what your article will include. The magazines editor can then give you further guidelines on content and style. Letters to the editor An easy way to begin your media campaign is to comment on relevant industry stories by writing letters to the editor. Use the SCRAP formula to grab readers attention. The acronym stands for: situation, complication, resolution, action and politeness. Situation Begin by explaining the current situation (or where we are now). Complication Introduce the idea that theres a problem (why we cant stay here). Resolution State your resolution to the problem. The reader will perceive you as an expert because you have a ready-made way of fixing things. Action Suggest what action the reader can or should take. Offer a viewpoint that is new and intriguing. Politeness Finally, end with a polite, but thought provoking sign-off. As in any profession, there are frustrating days when patients seem Hell-bent on ignoring your advice, or hospital politics get the better of you. Good communication is a step to resolving these issues and learning to write clearly about them can help relieve your frustration. Developing your writing skills can even help you communicate better with your patients. The principles are the same: focusing on your patient, clarifying your main message and using words theyll understand. And when you start to view your communication skills as being as essential as your clinical skills; your new found abilities will begin to pay dividends. Robert Ashton is the Chief Executive of Emphasis. Want to write better documents? See our courses for individuals or our courses for groups. Alternatively, send us a message or call one of our friendly advisors on +44 (0)1273 732 888

Giving back Scholarship Essay Example | Topics and Well Written Essays - 500 words

Giving back - Scholarship Essay Example However, attending to a reputed RN school is not as simple like that. The overall cost of registered nursing education is expensive and one has to be financially prepared prior to entering the nursing profession. In line with this, I believe that the Frank Lanza Scholarship thru Phi Theta Kappa will help me successfully complete my nursing program. I learned that the Frank Lanza Memorial Scholarship recognize students’ outstanding academic and leadership accomplishments whom are currently enrolled in regionally accredited community college programs in registered nursing but in need of financial assistance (Phi Theta Kappa Honor Society, n.p.). Through disbursements of $ 2,500 to each successful applicant of scholarship, my financial problems for completing the registered nursing program would be resolved as the financial aid from the Frank Lanza Memorial Scholarship will help me pay for education fees. In addition, I could focus on achieving academic excellence because of alleviation of problems in studying. After completion of the RN nursing program, I plan to give back by serving my community and by taking an active role to help other students like me who have passion for academic excellence and nursing but are hindered by financial reasons. As a nurse, I could serve my community using the two most important powerful tools in maintaining optimum level of health: education and caring. With the knowledge that I gained upon completion of the nursing program, I could help my community through health education or disseminating information about prevention of diseases and promotion of health and caring for the sick, disabled, and those who are oppressed in the community. Teaching my community on how to be healthy and caring for them are ways on how I can give back to the Phi Theta Kappa Honor Society as a healthy community is also a productive community fostering growth and development. Likewise, I intend to give back to the Phi Theta Kappa Honor Society

History Discussion Research Paper Example | Topics and Well Written Essays - 250 words - 5

History Discussion - Research Paper Example Rule by a central government is seen to be effective as it will give the nation great power in making crucial decision such as going to war or how government finances should be distributed. This is seen due to the fact that there are less bureaucratic processes in dealing with when dealing with a centralized government than when dealing with a devolved government. Ratification of this constitution across all states is seen to be important as this will greatly increase the geographical size of the nation and also encourage the joining of new states. Having a large nation in terms of geographical size is seen to be important as these increases the quantity resources available in the country (Maier.1998). This will also increase the variety of resources which are available in the country as a resource not found in a particular state can be found in another. The availability of a wide range of resources is bound to affect the economic growth of the nation positively in that this will enable the production of a wide range of goods. This will lead to the steady rise in the economy of the country with the nation likely to be able to produce all goods needed by its citizens. Moreover, the ability to produce excess goods will be important as this will encourage trade with other countries thus resulting in further economic growth within the nation. The ratification of this constitution will thus spur fast economic growth across the country. Ratification of the constitution will also be helpful in ensuring the equal growth of all areas across the nation will give the central government an opportunity to be able to help out the states which cannot grow fast enough due to lack of resources. The ratification of this constitution is thus bound to increase national loyalty and change the way Americans think of each other. This will encourage citizens to view each other as brothers’ thus encouraging people to look for opportunities beyond